音美

Understanding the Beauty of the Sound& from the Singing and Performing of the Sound

感悟声音美&从乐音的咏唱和弹奏看声音美

Chapter IV discusses aesthetic methods of transferring the beauty of ancient Chinese poetry& the transference of the beauty in sound, form and meaning by analyzing a few examples and hence searches for proper ways of translating the ancient Chinese poetry into English from the aesthetic perspective.

第四章通过具体的翻译实例，探讨了古典诗歌英译中的一些美学方法，即如何在翻译的过程中完美传递古典诗歌的音美、形美与意美。

He believes that since classical Chinese poetry is the combination of beauty in sense, sound and form, a translator should try his or her best to reproduce the "three beauties" of the original poetry. This theory has profound historical and cultural foundation.

许渊冲提出了诗歌翻译的三美理论，认为中国古典诗歌是意美、音美和形美的完美结合，翻译中应尽可能地再现原诗的三美。